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  • Cultural Appropriation in Fashion and Entertainment
    Cultural Appropriation in Fashion and Entertainment

    Is it ever acceptable to “borrow” culturally inspired ideas?Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day. Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the appropriation of race, ethnicity, class, sexuality, and religion embedded in clothing, textiles, jewelry, accessories, hairstyles and tattoos, as well as in entertainment, such as K-pop, Bhangra, and hip-hop. By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.

    Price: 70.00 £ | Shipping*: 0.00 £
  • Cultural Appropriation in Fashion and Entertainment
    Cultural Appropriation in Fashion and Entertainment

    Is it ever acceptable to “borrow” culturally inspired ideas?Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day. Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the appropriation of race, ethnicity, class, sexuality, and religion embedded in clothing, textiles, jewelry, accessories, hairstyles and tattoos, as well as in entertainment, such as K-pop, Bhangra, and hip-hop. By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.

    Price: 22.99 £ | Shipping*: 3.99 £
  • Cultural Revolution and Revolutionary Culture
    Cultural Revolution and Revolutionary Culture

    In Cultural Revolution and Revolutionary Culture, Alessandro Russo presents a dramatic new reading of China's Cultural Revolution as a mass political experiment aimed at thoroughly reexamining the tenets of communism.Russo explores four critical phases of the Cultural Revolution, each with its own reworking of communist political subjectivity: the historical-theatrical “prologue” of 1965; Mao's attempts to shape the Cultural Revolution in 1965 and 1966; the movements and organizing between 1966 and 1968 and the factional divides that ended them; and the mass study campaigns from 1973 to 1976 and the unfinished attempt to evaluate the inadequacies of the political decade that brought the Revolution to a close.Among other topics, Russo shows how the dispute around the play Hai Rui Dismissed from Office was not the result of a Maoist conspiracy, but rather a series of intense and unresolved political and intellectual controversies.He also examines the Shanghai January Storm and the problematic foundation of the short-lived Shanghai Commune.By exploring these and other political-cultural moments of Chinese confrontations with communist principles, Russo overturns conventional wisdom about the Cultural Revolution.

    Price: 25.99 £ | Shipping*: 3.99 £
  • Television : Technology and Cultural Form
    Television : Technology and Cultural Form

    Television: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules.Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient.Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'.If the medium really is the message, Williams asks, what is left for us to do or say?Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.

    Price: 14.99 £ | Shipping*: 3.99 £
  • Looking for good YouTubers for beauty, fashion, and lifestyle?

    If you are looking for good YouTubers for beauty, fashion, and lifestyle content, some popular and highly recommended creators include Zoella, Tanya Burr, and Ingrid Nilsen. These creators consistently produce high-quality videos on makeup tutorials, fashion hauls, and lifestyle tips. Additionally, channels like Jackie Aina, Patricia Bright, and Jenn Im offer diverse perspectives and content within the beauty, fashion, and lifestyle genres.

  • Can European culture transfer its values to other cultural circles?

    European culture has a long history of influencing and being influenced by other cultures, making it possible for its values to be transferred to other cultural circles. Through colonization, trade, and globalization, European values such as democracy, human rights, and individualism have spread to various parts of the world. However, the extent to which these values are adopted and integrated into other cultural circles can vary depending on factors such as historical context, local traditions, and societal norms. Ultimately, the transfer of European cultural values to other cultural circles is a complex and ongoing process that involves both adaptation and resistance.

  • Is cultural diversity a prerequisite for understanding one's own culture?

    Cultural diversity can provide valuable perspectives and insights that can enhance one's understanding of their own culture. By interacting with people from different cultural backgrounds, individuals can gain a deeper appreciation for their own cultural norms, values, and traditions. Exposure to diverse cultures can also challenge assumptions and biases, leading to a more critical and nuanced understanding of one's own cultural identity. However, while cultural diversity can be beneficial in this regard, it is not necessarily a prerequisite for understanding one's own culture, as individuals can also develop a strong sense of cultural identity through introspection, education, and engagement with their own community.

  • Is it cultural appropriation to Germanize country-specific food?

    Germanizing country-specific food could be considered a form of cultural appropriation if it involves taking traditional dishes from other cultures and altering them in a way that misrepresents or disrespects the original cuisine. It is important to approach the adaptation of foreign dishes with sensitivity and respect for the cultural significance and history behind the food. If the Germanization of country-specific food involves a thoughtful and respectful approach that acknowledges and honors the origins of the dish, it may not be considered cultural appropriation. However, if it involves appropriating and misrepresenting the original cuisine, it could be seen as disrespectful.

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  • Cultural Theory and Popular Culture : A Reader
    Cultural Theory and Popular Culture : A Reader

    The fifth edition of John Storey’s successful Cultural Theory and Popular Culture: A Reader is an essential companion volume to Cultural Theory and Popular Culture: An Introduction, now in its eighth edition.The reader offers students the opportunity to experience first-hand the theorists and critics discussed in Cultural Theory and Popular Culture: An Introduction through crucial articles and essays spanning over a hundred years of cultural theory.It can be used both in conjunction with, and independently of, the textbook. Taken as a whole, this book provides a theoretical, analytical, and historical introduction to the study of popular culture and provides key primary coverage of fundamental issues in cultural studies. This edition includes:a new section on class, as well as additional readings on sexuality and gender;fully revised general and section introductions from the editor, contextualizing and linking the readings with key issues from the textbook;a fully updated bibliography. The new edition is essential reading for undergraduate and postgraduate students of cultural studies, media studies, communication studies, the sociology of culture, popular culture, and other related subjects.

    Price: 46.99 £ | Shipping*: 0.00 £
  • Cultural Theory and Popular Culture : An Introduction
    Cultural Theory and Popular Culture : An Introduction

    In this tenth edition of his award-winning introduction, John Storey presents a clear and critical survey of competing theories of, and various approaches to, popular culture.Its breadth and theoretical unity, exemplified through popular culture, means that it can be flexibly and relevantly applied across a number of disciplines. Retaining the accessible approach of previous editions and using appropriate examples from the texts and practices of popular culture, this new edition remains a key introduction to the area. New to this edition:updated throughout with contemporary examples of popular culturea chapter called 'Culture and nature', which includes sections on culture in nature, the Anthropocene, the Capitalocene, and popular culture and climate changeupdated student resources at https://routledgelearning.com/culturaltheory/ This new edition remains essential reading for undergraduate and postgraduate students of cultural studies, media studies, communication studies, the sociology of culture, popular culture and other related subjects.

    Price: 39.99 £ | Shipping*: 0.00 £
  • Decolonising the Digital : Technology as Cultural Practice
    Decolonising the Digital : Technology as Cultural Practice

    Decolonising the Digital: Technology as Cultural Practice is a collection of critical essays, showcases, and interviews by Australian experimental artists, and diverse digital media theorists.The book benefits from being composed in the context of the world's oldest living peoples, Australian Aboriginal peoples, with the longest continuum of cultural practice and technologies.It offers a set of exemplary media practices from Australian artist-researchers actively creating new aesthetics and storytelling methods through innovative use of emerging digital technologies.With relevance to artists, researchers, and the wider public, it provokes critical thinking around 'technology as cultural practice', and offers tangible case-studies of experimental media practices from a range of art practitioners in diverse cultural contexts.Equal parts provocation, inspiration, and user guide to thinking about and working with emerging digital technologies in a critical way.

    Price: 26.84 £ | Shipping*: 3.99 £
  • Journalism, Technology and Cultural Practice : A History
    Journalism, Technology and Cultural Practice : A History

    Taking a contextual and historical approach, Journalism, Technology and Cultural Practice provides an accessible introduction to the various stages of journalism’s adoption and exploitation of technology from print to digital. This foundational text explains the cultural norms and practices that have developed within journalism, why the industry has evolved in the way it has, and what this may mean for the direction of journalistic practices in the future.Readers will examine key technological developments from printing, through radio and television, to contemporary digital developments, whilst also tracing the major cultural shifts empowered by these changes over time.Conboy additionally highlights how journalists have been actors in these processes and have had a central role in defining the culture of their practice. Journalism, Technology and Cultural Practice is a valuable resource for students of Journalism/Media History and Journalism/Media and Society.

    Price: 32.99 £ | Shipping*: 0.00 £
  • Are you looking for good YouTubers for beauty, fashion, and lifestyle?

    Yes, I am looking for good YouTubers who create content related to beauty, fashion, and lifestyle. I enjoy watching videos that provide tips, tutorials, and inspiration in these areas. It's always great to discover new creators who share valuable insights and recommendations on beauty products, fashion trends, and lifestyle habits.

  • Is cultural globalization a threat to the original culture of each country?

    Cultural globalization can be seen as a threat to the original culture of each country in some ways. As global media and technology spread, there is a risk of homogenizing cultures and diluting the unique traditions and customs of each country. However, cultural globalization also provides an opportunity for the exchange and appreciation of diverse cultures, leading to a more interconnected and inclusive global society. It is important for countries to actively preserve and promote their original culture while also embracing the positive aspects of cultural globalization.

  • Cultural apple lower classifications

    Cultural apple lower classifications refer to the categorization of apple varieties based on their cultural characteristics, such as flavor, texture, and intended use. These classifications help consumers and growers differentiate between different types of apples and choose the ones that best suit their preferences or needs. Some common cultural apple lower classifications include dessert apples, cooking apples, cider apples, and dual-purpose apples, each with distinct qualities that make them suitable for specific culinary purposes.

  • Is batik cultural appropriation?

    Batik is a traditional Indonesian textile art form that holds significant cultural and historical value. When individuals from outside of the Indonesian culture appropriate batik without understanding or respecting its cultural significance, it can be considered cultural appropriation. However, if people from other cultures engage with batik in a respectful and informed manner, such as by learning about its history and supporting the artisans who create it, it can be a form of cultural appreciation rather than appropriation. It is important to approach the use of batik with sensitivity and respect for its origins.

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